Full scores downloadable. To order parts, please contact Gordon.
482 VARIATIONS ON A VERY SHORT THEME (2016)
6 min / commissioned by the Queensland Symphony Orchestra
3*.3*.3*.3* [or 184.108.40.206] – 220.127.116.11[opt.] – 4 pc. – timp. – hp. – pf. – audio track – str.
A brief Beatles recording plays out of a speaker... the orchestra latches onto three notes, spinning them out into 482 (extremely short!) micro variations.
THUM PRINTS (2015-6)
for beatboxer & orchestra / commissioned by the Queensland Symphony Orchestra
Full Orch. (2*.2.2*.2 – 18.104.22.168 – 2pc. – hp. – timp. – beatboxer – str.); or Chamber Orch. (22.214.171.124 – 126.96.36.199 – 1p – beatboxer – str [2.2.2..1.1]); or String Orch. (min. 188.8.131.52.1)
Duration: 20 min ('concerto' version); OR 60 min ('show' version)
A concerto for beatboxer and orchestra, featuring Tom Thum, a magnificently-talented dude with an inexhaustible vocal inventory of glorious and weird noises. Together we've smooshed the opposing forces of the orchestra and Tom's mouth, aiming for imaginative and surprising colours. The piece can be performed as a 20 min concerto, or as a full 60 min show. Available for chamber or full orchestra.
Notebook Symphony (2017)
12 min / commissioned by the Queensland Symphony Orchestra
184.108.40.206 – 220.127.116.11 – perc. – str.
A mini symphony: three pithy movements, each lasting about four minutes and expressing very contrasting moods: a bright and cheerful rondo; a pensive chorale for strings alone; and a relentless dance including optional synthesiser.
OUTER LANDSCAPE (2018)
6 min / commissioned by Alondra de la Parra for the Philharmonic Orchestra of the Americas
3*.3*.3*.3* – 18.104.22.168 – 2 pc. – timp. – hp. – voice – str.
'Outer Landscape' is scored for orchestra with solo overtone singer (a type of multiphonic for the voice). (Commissioned by Alondra de la Parra in 2017 for La Filarmonica de las Americas.)
ACTION HERO (2016)
10 min / for orchestra & recorded Arnold Schwarzenegger, commissioned by the WDR Funkhausorchester Cologne
2*.2.2.2* – 22.214.171.124 – 2 pc. – timp. – hp. – laptop – str.
An Arnold Schwarzenegger speech plays through a speaker. The orchestra plays along, transforming Arny into a singer, emphasising the musical qualities of his voice.
A choir stands mysteriously among the orchestral players, issuing sung instructions. The orchestra enthusiastically complied, unrolling the commandments into bursts of sound.
FLORENCE BAY, WINTER (2017)
7 min / for string orchestra (min. 126.96.36.199.1)
A portrait of Florence Bay, Magnetic Island: the effort in getting there, especially cycling uphill (sweaty work, even in winter!)… the arc of the bay comes into view, excitement, immense freedom and peace at heart… snorkelling… gentle waves… a baby stingray… no turtles though… rock wallabies on the headland. A good day!
Each of the three movements is based on the same tune: G Db C F E G Ab. While the theme remains the same across all three movements, no actual inter-movement repetition occurs. The result is (I hope) a sparkly concert overture in three sections. The first movement, ‘Snap’ there is snap pizzicato everywhere, hopefully with minimal injury to instruments and players. Rhythmic riffs are set up, repeated and continually push into new variations, without ever revisiting previous riffs.
A symphony for marriage equality on a text by Andy West. The work quotes Beethoven's Ninth Symphony, including an inversion of the Ode to Joy theme.
Based on the famous Wilfred Owen poem, the choir is a column of soldiers: ‘Bent double, like old beggars under sacks'. Their trudging and trips are low pizzicato and a bass drum. A gas attack sends them into a spiral of confusion as one man dies ‘guttering, choking, drowning.’ The piece is a an elegiac passacaglia: the same harmonic structure repeats with various changes in mood.
A work for turntables, projector and orchestra inspired by sounds and images of the natural world. The orchestra interacts with synchronized sound and vision, bursting through speakers and screen with, all triggered by drum pads and turntables. Featuring turntablist Sampology.
The Ugly Sound: A Retelling of 'The Ugly Duckling' (2016)
7 min / for narrator and orchestra, commissioned by the Tasmanian Symphony Orchestra
188.8.131.52. – 184.108.40.206. – 1 pc. – hp. – narrator – str.
A retelling of the familiar story for a young audience. The young Sound faces rejection. All of the other sounds are more beautiful: some have rhythm, others melody and colour. Dejected, the Sound runs away, believing it can never fit in. Along its journey, the features of the Sound are revealed. The Sound transforms into a mature version of itself… a swan! The piece is humorous and uplifting – a positive message about self-image and openness to unfamiliar sounds.
Paraphrase on 'Cielito Lindo' (2017)
4 min / commissioned by Alondra de la Parra for the Philharmonic Orchestra of the Americas
3*.2.3*.2 – 220.127.116.11 – timp. – 4 pc. – hp. – str.
A re-imaginging of Mexico's most famous song... "Ay ay ay ay!" (Commissioned by Alondra de la Parra in 2017 for La Filarmonica de las Americas.)
Cuban Suite (2016)
25 min / for orchestra and jazz trio / commissioned by the WDR Funkhausorchester Cologne for premiere with pianist Marialy Pacheco.
2*.2*.2*.2*. – 18.104.22.168 – timp. – 4 pc. – hp. – jazz trio – str.
Four movements for orchestra and jazz trio, based on tunes by Cuban pianist Marialy Pacheco.