A little background video on the Thum Prints project for beatboxer and orchestra... featuring the ungodly mouth of beatboxer Tom Thum. (Our massive thanks to QSO, Richard, Dale, Costa, Steve & Warwick.) For more on the project, checkout the Thum Prints website.
Over the last week I was fortunate enough to have been on tour in regional QLD with the wonderful Queensland Symphony Orchestra and The Australian Voices, conducting Handel’s Messiah. Four marvellous choirs joined us – shoutout to the Mackay Choral Society, The Rockhampton Musical Union, the Bundaberg Orpheus Singers and the Sunhine Coast Oriana Choir.
I was thrilled that the Queensland Symphony Orchestra, under their music director Alondra de la Parra premiered my new work, 482 Variations on a Very Short Theme.
Saturday, August 6, 2016 (5:00pm 6:00pm)
Eugene Goosens Hall, ABC Ultimo, Harris Street
It was a great honour to have worked with Marialy Pacheco and WDR Funkhausorchester on 'Danzón Cubano'. Music for jazz trio and orchestra. (I arranged some of the music.) Here is the whole concert!Read More
Natural Selections is a work for turntables, projector and orchestra inspired by sounds and images of the natural world.Read More
Tom and I were super pumped to perform Thum Prints at the BBC Proms Australia with the Queensland Symphony Orchestra at Hamer Hall, Melbourne. This was the QSO's first performance outside of QLD in its entire history. A big deal! The concert was live across Australia on ABC Classic FM and delayed on BBC.Read More
Last year I interviewed renowned theatre and opera director Peter Sellars while he was in Brisbane for his new dance theatre show FLEXN. I asked him about music and audiences.
This work for orchestra and choir is a setting of the famous Wilfred Owen WW1 poem. The choir is a column of soldiers: ‘Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge’. A gas attack sends them into a spiral of confusion as one man dies ‘guttering, choking, drowning.’ The organ only enters near the end, after the man has died, and a solo soprano (an ‘innocent tongue’) sings the titular text in latin. Of course its meaning – ‘sweet and noble it is to die for country – is intended to be scathing and ironic. The organ music sounds deformed: a sunken instrument in some bombed out church nearby – only “half beautiful”.Read More
The T’ang – with their fresh approach to programming and interpretation – have an expanded vision of the string quartet.Read More
Purchase the score to Baby Shark. Sung here by The Australian Voices at Hobart Festival of Voices.Read More
For Suzie Miller’s adaptation of Euripides’ Medea (produced by La Boite Theatre Company and directed by Todd MacDonald), the team and I have taken an exciting creative leap and incorporated a completely-sung ‘Greek' Chorus. I’ve plucked four singers from the ranks of my vocal ensemble The Australian Voices.Read More